005

005

Protagonist

Protagonist

Protagonist

Computer Graphics - Posthuman
Computer Graphics - Posthuman

Photography

Photography

2025

2025

Protagonist presents a figure rendered with excessive fidelity, suspended in motion while resisting narration. Every surface is accounted for, yet the whole remains incoherent. The skin appears flawless, which is to say not quite right. The lifelikeness unsettles rather than confirms.

Protagonist presents a figure rendered with excessive fidelity, suspended in motion while resisting narration. Every surface is accounted for, yet the whole remains incoherent. The skin appears flawless, which is to say not quite right. The lifelikeness unsettles rather than confirms.

Unfolding as a sequence, Protagonist recalls contact sheets from a casting archive. Repetition occurs without development. Continuity is suggested but causality is absent. Realism becomes a form of distortion, where closeness to the human dissolves the certainty of presence.

Unfolding as a sequence, Protagonist recalls contact sheets from a casting archive. Repetition occurs without development. Continuity is suggested but causality is absent. Realism becomes a form of distortion, where closeness to the human dissolves the certainty of presence.

The figure performs affect without origin. Expression appears without context. Gesture accumulates but meaning remains withheld. The title offers a role, yet the narrative is missing. What is left is implication, a suggestion of story or emotion or urgency, but without conclusion. Human remains situated between registers, neither theatrical nor documentary.

The figure performs affect without origin. Expression appears without context. Gesture accumulates but meaning remains withheld. The title offers a role, yet the narrative is missing. What is left is implication, a suggestion of story or emotion or urgency, but without conclusion. Human remains situated between registers, neither theatrical nor documentary.

What emerges is not identity but appearance. Not interiority, but the trace of its possibility. The image contains detail but no resolution. It invites a form of viewing that cannot settle. Looking becomes guessing, reading becomes projection. In this state of delay, Protagonist sustains ambiguity. What is a person when only the image is left? What can be known when recognition no longer guarantees presence?

What emerges is not identity but appearance. Not interiority, but the trace of its possibility. The image contains detail but no resolution. It invites a form of viewing that cannot settle. Looking becomes guessing, reading becomes projection. In this state of delay, Protagonist sustains ambiguity. What is a person when only the image is left? What can be known when recognition no longer guarantees presence?