The Electronic Eye examines how consumer tracking devices, such as AirTags, subtly shift surveillance relationships. Designed to locate lost objects, these technologies simultaneously transform everyday items into ambient informants that reveal human movement as constant data. The project asks: when location becomes a persistent coordinate stored and shared beyond our control, who decides what is signal and what is noise? Through photogrammetry reconstruction and film, the work stages this reciprocal gaze—showing how we are not just holding tools but held by them. The signal cuts both ways: you follow the object whilst the object maps you, creating recursive patterns where every movement generates a trace and every pause registers as absence within algorithmic perception.