Autogenesis

Autogenesis

Chaos theory

Chaos theory

Chaos theory

INDEX

INDEX

Chaos theory
Chaos theory

Category

Category

R&D

R&D

Year

Year

2025

2025

Time unfolds as relation rather than measure. In this study, motion becomes a form of negotiation between innumerable agentseach a fragment of a distributed field seeking equilibrium yet never arriving. The system listens to itself; particles trace their own histories through recursive feedback, forming geometries that are less drawn than accumulated. What emerges is not an image but a condition: a shared rhythm of computation where chaos organises itself into transient coherence. Within this unstable symmetry, Autogenesis reflects on how structure might arise from noise, how matter might remember motion.

Time unfolds as relation rather than measure. In this study, motion becomes a form of negotiation between innumerable agents—each a fragment of a distributed field seeking equilibrium yet never arriving. The system listens to itself; particles trace their own histories through recursive feedback, forming geometries that are less drawn than accumulated. What emerges is not an image but a condition: a shared rhythm of computation where chaos organises itself into transient coherence. Within this unstable symmetry, Autogenesis reflects on how structure might arise from noise, how matter might remember motion.

What begins as a mathematical field becomes a material rhythm. This simulation of the RabinovichFabrikant attractor, originally studied for its chaotic trajectories, formed the generative logic behind the Lysapse Table. In the translation from algorithm to form, the flows of computation were reinterpreted as structural and material gradients while lines of force cast into physical matter. The process traces a continuum between digital turbulence and tactile precision, where geometry ceases to represent and begins to behave.

What begins as a mathematical field becomes a material rhythm. This simulation of the Rabinovich–Fabrikant attractor, originally studied for its chaotic trajectories, formed the generative logic behind the Lysapse Table. In the translation from algorithm to form, the flows of computation were reinterpreted as structural and material gradients while lines of force cast into physical matter. The process traces a continuum between digital turbulence and tactile precision, where geometry ceases to represent and begins to behave.

LINKS

Credits

Noah Jenkins

Creative Director

Isabella Brooks

Designer

James Hughes

Motion Designer

Maria White

Copywriter

Links