Autogenesis
Autogenesis
Chaos theory
Chaos theory
Chaos theory
INDEX
INDEX
Chaos theory
Chaos theory
Category
Category
R&D
R&D
Year
Year
2025
2025
Time unfolds as relation rather than measure. In this study, motion becomes a form of negotiation between innumerable agents—each a fragment of a distributed field seeking equilibrium yet never arriving. The system listens to itself; particles trace their own histories through recursive feedback, forming geometries that are less drawn than accumulated. What emerges is not an image but a condition: a shared rhythm of computation where chaos organises itself into transient coherence. Within this unstable symmetry, Autogenesis reflects on how structure might arise from noise, how matter might remember motion.
Time unfolds as relation rather than measure. In this study, motion becomes a form of negotiation between innumerable agents—each a fragment of a distributed field seeking equilibrium yet never arriving. The system listens to itself; particles trace their own histories through recursive feedback, forming geometries that are less drawn than accumulated. What emerges is not an image but a condition: a shared rhythm of computation where chaos organises itself into transient coherence. Within this unstable symmetry, Autogenesis reflects on how structure might arise from noise, how matter might remember motion.


















What begins as a mathematical field becomes a material rhythm. This simulation of the Rabinovich–Fabrikant attractor, originally studied for its chaotic trajectories, formed the generative logic behind the Lysapse Table. In the translation from algorithm to form, the flows of computation were reinterpreted as structural and material gradients while lines of force cast into physical matter. The process traces a continuum between digital turbulence and tactile precision, where geometry ceases to represent and begins to behave.
What begins as a mathematical field becomes a material rhythm. This simulation of the Rabinovich–Fabrikant attractor, originally studied for its chaotic trajectories, formed the generative logic behind the Lysapse Table. In the translation from algorithm to form, the flows of computation were reinterpreted as structural and material gradients while lines of force cast into physical matter. The process traces a continuum between digital turbulence and tactile precision, where geometry ceases to represent and begins to behave.
Credits
Noah Jenkins
Creative Director
Isabella Brooks
Designer
James Hughes
Motion Designer
Maria White
Copywriter

