(De)constructing Singularity

(De)constructing Singularity

(De)constructing Singularity

When machines perceive space and humans navigate time, whose singularity are we constructingand can duration itself become material?

When machines perceive space and humans navigate time, whose singularity are we constructingand can duration itself become material?

When machines perceive space and humans navigate time, whose singularity are we constructingand can duration itself become material?

Type

Type

Writing

Writing

Year

Year

2025

2025

Fields

Fields

Spatial Intelligence, Temporal Intelligence, Full Dimensional Film

Spatial Intelligence, Temporal Intelligence, Full Dimensional Film

Synopsis

Synopsis

(De)constructing Singularity: The Fabrication of Synthetic Duration examines how spatial intelligence, machine vision, and advanced fabrication converge to dissolve the boundary between perception and production. This research framework positions duration not as temporal flow but as synthetic materialsomething manufactured through the interplay of biological cognition, artificial intelligence, and physical making. Across projects spanning computational design, cinematic theory, robotic manufacturing, and responsive environments, 1e-43 investigates how architecture might encode experience as its primary structural logic. The work asks whether emerging technologies enable us to construct spaces that exist not as fixed forms but as temporal artifactsarchitectures that materialize only through continuous acts of inhabitation, observation, and algorithmic negotiation. By interrogating the singularity where human perception meets machine intelligence, this research explores fabrication as both technical process and ontological condition.

(De)constructing Singularity: The Fabrication of Synthetic Duration examines how spatial intelligence, machine vision, and advanced fabrication converge to dissolve the boundary between perception and production. This research framework positions duration not as temporal flow but as synthetic material—something manufactured through the interplay of biological cognition, artificial intelligence, and physical making. Across projects spanning computational design, cinematic theory, robotic manufacturing, and responsive environments, 1e-43 investigates how architecture might encode experience as its primary structural logic. The work asks whether emerging technologies enable us to construct spaces that exist not as fixed forms but as temporal artifacts—architectures that materialize only through continuous acts of inhabitation, observation, and algorithmic negotiation. By interrogating the singularity where human perception meets machine intelligence, this research explores fabrication as both technical process and ontological condition.

LINKS

Credits

Noah Jenkins

Creative Director

Isabella Brooks

Designer

James Hughes

Motion Designer

Maria White

Copywriter

Links